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Anton Ponomarev / Violeta Garcia duo
Anton Ponomarev and Violeta Garcia are set to take the experimental music scene by storm with their unique blend of avant-garde, noise, and power electronics. With Ponomarev on saxophones and electronics and Garcia on cello and electronics, the duo creates an otherworldly soundscape that is sure to captivate audiences.
Together, Ponomarev and Garcia create a powerful sonic experience that defies categorization. Their music is characterized by a fearless exploration of sound, incorporating elements of free jazz, punk, and noise. Their use of electronics adds a new dimension to their sound, creating an immersive and mesmerizing experience for listeners. If you’re looking for something new and exciting in the world of experimental music, Anton Ponomarev and Violeta Garcia are a duo that you won’t want to miss. With their groundbreaking approach to music and their fearless experimentation, they are sure to push the boundaries of what is possible in the world of avant-garde music. Be sure to catch them live at their next performance and witness the future of experimental music firsthand.
Website Anton Ponomarev
Website Violeta Garcia
Andromeda
Angelica Castello and Urkuma (Stefano de Santis) / recorders, electronics, trash, mixing desks, noise.
Sonic alchemists, Angelica Castello and Urkuma, are archaic melodies that dance with the erratic pulses of electricity, leaving a trail of sweet noise and trash, echoing through the surreal landscape of their shared musical chaos.
Angélica Castelló (Composer, Sound Artist)
Using field recordings, radio and cassette devices together with the extravagant sounds of the paetzold recorder, composer and sound artist Angelica Castelló journeys through the enigmatic land of lost memories, death and traumatic encounters, fragility, dreamworld and the subconscious. Born in Mexico City, Castelló studied classical recorder and composition in Mexico, Canada, Holland and Austria where she currently lives and works.
She Performs continuously solo or in cooperations everywhere between Mexico City and Vienna. Numerous compositions for orchestra, ensembles, fixed media, radio works as well as installations that operate at the interface of music, performance and visual arts. Several releases on labels like Interstellar records, Mikroton recordings, Monotype records, Mosz a.o. http://castello.klingt.org
Stefano “Urkuma” De Santis
Born in the South-east part of Italy, began his artistic career as a playwright, and later developed a musical approach to translate his theatre concepts into sound. The word Urkuma is specific to the FinisTerrae part of Italy and expresses a state of mind, that is possible to compare with the opposite to the Buddhist concept of nirvana.
Proceeding from free improvisation and noise, the music pairs together harshness and delicateness to piece together carefully spatialized sonic mosaics. Murmured drones, liquid growls, electrical discharges and acoustic touches: dissembling pieces are assembled into a unified whole.
He did releases, performances, symposiums and installations in Italy, Poland, Usa, Austria,UK, Spain, Portugal, Swiss, Slovack Rep., Japan and has collaborated with a wide range of musicians and sound composers.